Why Me?

Dortmunder draws international attention when he steals the wrong ring The Byzantine Fire is much more than a ninety-carat ruby. As a stone it's worth over a million dollars, a value vastly increased by its pure gold band- but its history makes it priceless. A ring that has been fought for with sword and pen, and passed from nation to nation by all manner of theft and trickery, it finally made its way to the United States. The US has agreed to return it to Turkey, but it's about to be stolen twice more. A gang of Greeks armed with Sten guns burst into the security room at JFK Airport and escape with the priceless stone, which they deposit in the safe at a small jeweler's shop in Queens. A few hours later, unlucky thief John Dortmunder, expecting a routine robbery, steals it again. Much blood has been shed for this little ruby, and Dortmunder's could be next. Review quote: "A perfect formula thriller, only Westlake yanks the formula inside out!" - Newsweek "I found myself racing along with pleasure and gratitude." - New York Times "[Westlake's] most durable character. ... Whatever can go wrong in the man's elaborate attempts at larceny invariably does, and in the most amusing and unexpected ways possible." - Los Angeles Times Biographical note: Donald E. Westlake (1933-2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950s, churning out novels for pulp houses- often writing as many as four novels a year under various pseudonyms- but soon began publishing under his own name. His most well known characters were John Dortmunder, an unlucky thief, and a ruthless criminal named Parker. His writing earned him three Edgars and a Grand Master Award from the Mystery Writers of America. Westlake's cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from them, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson's noir classic.