Bank Shot

Instead of robbing a bank, Dortmunder tries to steal the whole building Encyclopedias are heavy, and John Dortmunder is sick of carrying them. While in between jobs, the persistent heist-planner is working an encyclopedia-selling scam that's about to blow up in his face. The cops are on their way when his friend Kelp pulls up in a stolen Oldsmobile, offering a quick escape from the law and a job that's too insane to turn down. Kelp's nephew is an FBI washout who's addicted to old-time pulp novels and adventure stories. He tried being a cop, and now he wants to be a robber. His target: a Main Street bank that has temporarily relocated to a large mobile home. Breaking in is impossible - there are seven guards and a police station down the street - but mobile homes were meant to be driven. Dortmunder just has to drive the bank away. Review quote: "Westlake's Triumph - hilarious!" - The New York Times "[Westlake's] most durable character. Whatever can go wrong in the man's elaborate attempts at larceny invariably does, and in the most amusing and unexpected ways possible." - Los Angeles Times "Everyone who's read Donald Westlake knows he's the funniest man in the world." - The Washington Post Biographical note: Donald E. Westlake (1933-2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950s, churning out novels for pulp houses- often writing as many as four novels a year under various pseudonyms- but soon began publishing under his own name. His most well-known characters were John Dortmunder, an unlucky thief, and a ruthless criminal named Parker. His writing earned him three Edgars and a Grand Master Award from the Mystery Writers of America. Westlake's cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from his books, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson's noir classic.